Tragedy īallad opera, a popular theatre style at the time, was the first style of musical to be performed in the American colonies.
However, in recent years, it has become a topic of interest for theatre theorists, who have been looking into theatre styles that have their own conventions of performance. This may give clues as to why, despite its original success, restoration comedy did not last long in the seventeenth century. The inconsistency between restoration comedy’s morals and the morals of the era is something that often arises during the study of this genre. It is commonly agreed that restoration comedy has origins in Molière’s theories of comedy, but differs in intention and tone. However, since restoration comedy dealt with unspoken aspects of relationships, it created a type of connection between audience and performance that was more informal and private.
Characters featured in restoration comedy included stereotypes of all kinds, and these same stereotypes were found in most plays of this genre, so much so that most plays were very similar in message and content. Restoration comedy is a genre that explored relationships between men and women, and was considered risqué in its time.
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